Illustration NOW!

Illustration is a vast and often unappreciated discipline but its undisputed king, in the UK at least, must be Quentin Blake. Roald Dahl created the BFG, the Twits and Matilda and Quentin Blake brought them to life.

It was thus a pleasure to spend Wednesday night in the company of Mr Blake who was speaking at yet another fantastic event organised by Collyer Bristow’s gallery. Quentin (we have been in the same room and are therefore definitely on first name terms) was raising both awareness and, more importantly, money to help fund the House of Illustration, which will become the first dedicated illustration centre when it is finally built in the King’s Cross development zone, London. The artistic and legal communities combined last night to help realise this aim with a selection of prints on sale all in response to the question “what are you like?”.

You can help support this great cause and purchase a limited edition print here.

If you’re worried you missed out last night, fear not. The art and legal communities are combining again in the New Year for an Illustration Cupboard organised exhibition of Tony Healey’s illustrations to the John Mortimer classic series – Rumpole of the Bailey.  The exhibition runs from 20 February to 3 March 2012 at the Illustration Cupboard, in London. The full details are not yet available online but this blog will be updated as soon as they become available.

Rumpole considers how best to present his case in this Tony Healey classic illustration

Battle for the copyright in children's book illustrations

A two year battle over the estate of celebrated American children's book author and illustrator Tasha Tudor has ended in a settlement on the threshold of the Vermont Probate Court.

Tudor died in 2008 at the end of a long and successful life and career, during which she illustrated almost one hundred books and received many awards and honours for her contributions to children's literature. She left an estate worth an estimate £1.2 million, which included all the copyright in her works. She also left two wills. One original will, executed in 2001, which essentially divided her main assets between her sons. A second, dated 2002, which amended the first will by cutting out one of her sons. Thus, the stage was set for Thomas Tudor, who had effectively been cut out, to contest the second will. He did – claiming that his brother had wielded undue influence over their mother and that there were suspicious circumstances surrounding the changes in the will.

After more than two years of fighting, the matter was due to be heard by the Vermont Probate Court on Monday 8 November 2010. However, after settlement discussions in the courthouse, the parties informed the Court that the matter had been resolved.
Unfortunately, the terms of the settlement are confidential. Nevertheless, it should be pretty clear who came out with ownership of the copyright once these are asserted. Indeed, if the official website is anything to go by, Thomas Tudor settled for something other than the copyright.

A selection of TT works:


© Tasha Tudor and Family Inc.

Visit the Tasha Tudor Museum here.


Source: The Associated Press